N E W   A T   C O R N E R S T O N E   F E S T I V A L   2 0 0 2 !


Is film an obsession for you? It is with us. When did it start? Was it watching that movie that still haunts you? Or the dream that your first video project might be the beginning that would forever alter life as we know it? What about the rush of adrenaline when collaborating with like-minded conspirators? Deep Focus is for those who breathe film. A support group for emerging and established filmmakers, screenwriters, actors, movie critics or buffs who can't shake the habit.


Deep Focus is the new interactive and hands-on track at Flickerings, designed to draw participants into direct engagement with the films and filmmakers, and also into making films themselves. This series of seminars, workshops and informal gatherings will be facilitated during the 2002 Cornerstone Festival (July 3-6) by Bevan Klassen and Kevin Nikkel of the Winnipeg's Catacomb microCinema.

THE SEMINARS
The multi-front approach to building film culture means training filmmakers and creating opportunities for them to screen their work. Deep Focus offers this pair of seminars, a two-session series on Independent Film and a seminar on Starting a MicroCinema. The first seminar focuses on both content and technique. Questions considered include: discussion of how and why films either protect or provoke the status quo, the place of moral stories in film today, criteria for evaluating film, and stylistic trends such as the innovative editing of Steven Soderbergh. The introduction to improvisational filmmaking dovetails with an afternoon workshop, which is aimed at turning ideas into action. Do-it-your-selfing continues in the session on MicroCinema, which will explore ways to participate in your town's film culture and promote local screenings.

IMPROV WORKSHOP
The idea in this workshop is simply to, over the course of the festival, make a film. This process will facilitate participants in talking and learning about their craft while practicing it together. We'll begin by creating a story, shooting and editing in-camera, and finally premiering the film with the "Best of Flickerings" screenings. The sessions are two-hours each, the second being optional: you can stay with the group, or you can go off and work on your own film — which you can then enter in Flickering's "Shoot a Film @ Cornerstone!" contest.

FILMMAKERS ONLY
One of the most exciting aspects of Flickerings is the opportunities for filmmakers to gather informally, encouraging one another, telling war stories, sharing ideas and generally schmoozing. This year, we're going to "formalize" these informal gatherings by making available late night time and space in the festival's video-editing trailer. The content of these gatherings will remain open, but the possibilities range from screening some of the Flickerings entries and discussing them with the filmmakers, to continuing the discussions from the seminars and workshops, to simply hanging out and making connections.


Copyright 2002, Cornerstone Communications, Inc.